Browsing by Author "Rodgers, Stephen"

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  • Zavortink, Matthew (University of Oregon, 2016-10-27)
    Although the analysis of popular music has become widely accepted by theorists, rap and related genres are still relatively unexplored. The small body of existing literature suggests several promising analytic methods, ...
  • Pokorny, Andrew (University of Oregon, 2014-09-29)
    Jazz chord-scale theory identifies scales that can be used to embellish a particular type of chord. It has fostered the notion that chords can generate their own local scales. This idea as well as many of the scale types ...
  • Osborne, Kenton (University of Oregon, 2021-04-27)
    In the last 40 years, Fanny Hensel’s reputation has evolved. Once seen merely as Felix Mendelssohn’s sister, Hensel is now regarded as an idiosyncratic and innovative composer whose music warrants recognition. Scholarship ...
  • Lovell, Jeffrey (University of Oregon, 2013-07-11)
    In this dissertation, I examine Stevie Wonder's compositional style from his celebrated "classic period," (1972-1976) focusing specifically on the concentrated two-year time span from 1972-1974 marked by his unparalleled ...
  • Rockwood, Mark (University of Oregon, 2017-09-06)
    The last thirty years have seen a resurgence in the research of sonata form. One groundbreaking treatise in this renaissance is James Hepokoski and Warren Darcy’s 2006 monograph Elements of Sonata Theory: Norms, Types, and ...
  • Wright, Chelsea (University of Oregon, 2022-02-18)
    Sonata form is arguably the most important form to develop in eighteenth-century instrumental music. In their 2006 treatise, Elements of Sonata Theory, James Hepokoski and Warren Darcy identify five sonata types prominent ...
  • Abrahamson, Krista (University of Oregon, 2016-10-27)
    This dissertation follows the history of functional ideas and their pedagogy, illuminates with many examples the implementation of my updated system of Functional Analysis, and discusses the pedagogical implications that ...
  • Pell, Hannah (University of Oregon, 2019-09-18)
    This thesis is an interdisciplinary study to compare the simultaneous “revolutions” in music theory and physics during the early decades of 20th-century Vienna. In my first case study, I situate music theorist Heinrich ...
  • Naxer, Meghan (University of Oregon, 2016-10-27)
    This dissertation explores why undergraduate music theory students may not be motivated in their classes and how we can begin to improve music theory pedagogy by addressing the negative preconceptions surrounding the subject ...
  • Eschenfelder, Melinda (University of Oregon, 2019-09-18)
    Musical themes in film are often transformed in ways that reflect major plot developments. Film music scholars typically explore such transformations across an entire film. However, this broad analytical brush misses the ...
  • Mastic, Timothy (University of Oregon, 2015-08-18)
    This thesis approaches Haydn’s sonata-form procedures from the perspective of the eighteenth-century listener, asking, if a moment is allegedly “witty” according to modern analysts, would Haydn's contemporary audience have ...
  • Rodgers, Stephen; Oregon Humanities Center (Oregon Humanities Center at the University of Oregon, 2007)
  • Lee, Elizabeth (University of Oregon, 2014-09-29)
    This dissertation focuses upon patterns and concepts of containment within selected Lieder from Hugo Wolf's Mörike collection. More specifically, I focus upon melody as a way of understanding how these found patterns and ...
  • Oden, Chelsea (University of Oregon, 2016-10-27)
    The most transformative moments in life cause us to look both backward (reflection) and inward (introspection). Likewise, reflective and introspective moments in film often align with important plot points. Separating ...
  • Draper, Brian (University of Oregon, 2012)
    The Lieder of Fanny Hensel have received very little attention from modern music scholars, and her music has mostly been looked at as only a sidebar to the music of her much more famous brother, Felix Mendelssohn. Adding ...
  • Lau, Wing (University of Oregon, 2015-08-18)
    Metric dissonance in Brahms’s music is not an unfamiliar topic. Hemiola, offbeat accents, and syncopations are Brahms’s common metric strategies. These metric manipulations often facilitate a displacement between the audible ...
  • Oden, Chelsea (University of Oregon, 2021-09-13)
    Dance, film, and music are living art forms. They unfold through time, motion, environments, and bodies. They take up shapes, rhythms, textures, and tones. They tell stories. And they often amplify one another in ways that ...
  • Schau, Kate (University of Oregon, 2022-10-04)
    Autobiographical readings are standard when it comes to the works of British composer Ethel Smyth (1858–1944). In addition to being a composer of large-scale orchestral works, she was an outspoken feminist and prolific ...
  • Schell, Hallel (University of Oregon, 2015-01-14)
    This study explores the experience of timelessness in music by examining the musical parameters that are in play and how those musical parameters affect and are affected by memory and expectation. I propose three types of ...
  • Voglewede, Matthew (University of Oregon, 2013-10-03)
    The New Grove Dictionary of Jazz defines “double time” as “the apparent doubling of the tempo […] achieved by halving the prevailing note value.” A more precise term for this concept is “double-time feel.” The question of ...

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