Browsing by Subject "art"

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  • Angel 
    Amezcua, A. Isabelle (University of Oregon, 2021-05-16)
    Angels are a common motif in the World, and in the West. Not just in religion (and, by extension, philosophy), but also in art and its myriad expressions. There are many ways to imagine (that is, to make an image of) angels, ...
  • Minu-Sepehr, Ava (University of Oregon, 2023-04)
    My research examines the (in)visible histories of the Coos Bay estuaries through creative mapping. Currently, members of the Confederated Tribes of the Coos, Lower Umpqua, and Siuslaw (CTCLUSI) reside in Coos Bay and remain ...
  • Salter, Sophia (University of Oregon, 2021-01)
    This piece is the last in my series that explores how people respond to grief and trauma. The two people holding hands represent the hope and healing that come after the acceptance of a traumatic experience and the need ...
  • Kalman, Audrey (University of Oregon, 2020-08)
    Hayward Field is the quintessential setting for track and field, and the new Hayward Field will be central to the sport moving forward. This embodiment of progress is analogous to the undergraduate research conducted at ...
  • Hollowgrass, Clara (University of Oregon, 2020-01)
    This piece is part of a series I did which focuses on the refinement found in a face. The medium is scratchboard, which I made myself from wood and black and white paint, and I used an old, empty fountain pen as my carving ...
  • Morse, Adam (University of Oregon, 2022-10-26)
    This dissertation examines the geographical circumstances in carceral environments that affect the construction of artistic practice. This work is contextualized within the framework of both agency and resistance and seeks ...
  • Root, Raechel (University of Oregon, 2020-12-08)
    This thesis explores the photography of Oregon’s lesbian land communities, through the Ovular workshops hosted at the lesbian land Rootworks from 1980 to 1983 and their subsequent magazine The Blatant Image (1981-1983). I ...
  • Basaldua, Josiah (University of Oregon, 2024-01-10)
    Reading Leo Bersani and Ulysse Dutoit’s understanding of the visual challenge to logocentric epistemologies presented by Caravaggio’s paintings in Caravaggio’s Secrets against their reading of Caravaggio in film, the biopic ...
  • Conrad, Cyril Harry (University of Oregon, 1942-05)
    Several clay sketches were made, studied, and set aside for future reference. Then a scale model of a portion of the fair grounds and the centrally located Mercantile Building was constructed. Reducing the preliminary with ...
  • Noon 
    Center for Art Research, University of Oregon (2023)
    Noon may be the least romanticized phase of a day. Not a beginning or an end, but a quiet tipping point. The lighting does not swoon as dawn and dusk, the energy does not pulse. But one can move without the deep shadows ...
  • Braun, John C. (University of Oregon, 1954-06)
    The graduate student, choosing to direct his energies and further his experience in painting and drawing should avail himself wholeheartedly to the percepts and concepts of his instructors and associates. Perhaps the period ...
  • Mayne, Annika (University of Oregon, 2023-05)
    Despite their obvious visual differences, photography and comics both work to represent a snapshot of a moment, a reality — documentative or imagined. Three notable contemporary performances from the United States: Chris ...
  • Osaki, Heidi (University of Oregon, 2023)
    "Fliers, Cyborg self portrait, and Banner are each woven portals that explore three different political objects as textiles. Using research informed artist practice, each portal draws upon a rich collection of history, ...

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