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dc.contributor.advisorLachman, Charlesen_US
dc.contributor.authorZhu, Hanen_US
dc.creatorZhu, Hanen_US
dc.date.accessioned2012-10-24T18:51:39Z
dc.date.available2012-10-24T18:51:39Z
dc.date.issued2012
dc.identifier.urihttp://hdl.handle.net/1794/12314
dc.description.abstractKorean calligraphy went through tremendous changes during the twentieth century, and Jung Hyun-bok (1909-1973), a gifted calligrapher, played an important role in bringing about these changes. This thesis focuses on one of Jung's most mature and refined works, "Using the Peak of the Five Elders as a Brush," owned by the Jordan Schnitzer Museum of Art. In addition to translating and explicating the poems on the screen, through a close examination of both the form and content of the work I explore how it reflects Jung's values, intentions, and background. This thesis also addresses the question of why some critics have classified Jung as a professional artist and considers some of the ways in which he actually cultivated and projected an image of himself as a traditional literatus.en_US
dc.language.isoen_USen_US
dc.publisherUniversity of Oregonen_US
dc.rightsAll Rights Reserved.en_US
dc.subjectAn Jung-geunen_US
dc.subjectclassical Chinese poetryen_US
dc.subjectfolding screenen_US
dc.subjectJung Hyun-boken_US
dc.subjectKorean calligraphyen_US
dc.title"Using the Peak of the Five Elders as a Brush": A Calligraphic Screen by Jung Hyun-bok (1909-1973)en_US
dc.typeElectronic Thesis or Dissertationen_US


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