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  • Lopez, Daniel P. (2016)
    The weirdest part about being done with this report is that I can’t just tell people “Sorry, I’m working on my thesis right now.” It’s good to have it completed, but now I worry that I won’t have any good excuses for being ...
  • Christy, Matt (University of Oregon, 2015)
    When I went to church with my family my mother would sit me down on the floor and I could look underneath the long row of pews and see all the peoples legs. My friends and I had different rules down there. We could draw ...
  • Couch, Chelsea (2017)
    This paper explores the complexities of presenting an image of the body as well as a representation of the bodily event. Central to this inquiry is an examination of the subject/object relationship (the perception of self ...
  • Moignard, Neal (2019)
    A description of the intellectual process and cultural influences of 11 artworks produced at the University of Oregon in 2019.
  • Linn, Ronald (2017)
    I am of the practice of trying, often failing. My practice attempts to navigate the territories between dichotomies of text/image, image/object, meditation and direct experience, interior and exterior space. I am ...
  • Heinitz, Krista (2016)
    The work in my thesis exhibition acts as an installation of multiple sculptural works that engage each other in conversation through repetition of specific formal and conceptual elements. The concept of repetition is ...
  • Ise 
    Joshlin, Steven (2016)
    A few years ago I had a dream that I was riding a school bus. As it carried us across the countryside, we came upon an old bridge. As the bus went to cross, it went out of control and broke through the tenuous wooden ...
  • Campbell, Andrew Douglas (2017-06-28)
    Outlined here is a trajectory of research into the relationship between identity and narrative, with a particular focus on how that relationship subverts the boundary between mainstream and margin. Drawing on a Lacanian ...
  • Siscoe, Brandon (University of Oregon, 2015)
    The work in my thesis exhibition exists as a sculpture of fragments. This work is a fluid definition of sculpture that understands itself not as a self-enclosed complete form, but as a flat ontology of object relationships ...
  • Krajkowski, Alex (University of Oregon, 2015)
    My practice involves surrendering control to a variety of generative processes as a way to create an image. By exposing gelatin silver paper to obscure chemical processes, or using simple machines to create photomechanical ...
  • Howell, Leah (2019)
    The intersection of the permanent and impermanent, the disposable and the pleasurable opens up a space for my work to live in. I seek to create a tension between the familiarity of objects, materiality and fragmentation. ...
  • Morgan, Mary (2017)
  • Parnes, Stephanie (2019)
  • Bjork, Aaron (2019)
    In the first century, Romans gathered in open-air marketplaces known now by the word bazaar, a variant of the Persian word bazar. As hubs for converging trade routes, these marketplaces served not only as sites for commerce, ...
  • Asahina, Lee (2017-06-22)
    My terminal project consists of paintings composed of flowers, hands, and scribbles along with various other shapes and marks that mine the personal, the cultural, and the historical. I make paintings in the spirit of ...
  • Mikenis, Sarah (2016)
    My work pretends to respond to the weight of the world like people do: forms bend, ostensibly pulled down by the weight of a tassel, canvas gets heavy and starts to sag, or objects buckle and fold, unable to stand upright ...
  • Hampton, Mandy; Keathley, Mandy (2017)
    To sculpt is to cloak empty space in material. Like a balloon containing air, my sculptures give shape to empty spaces, while simultaneously concealing them. The experience of making a sculpture is like hiking up a mountain; ...
  • Tolles, John (University of Oregon, 2015)
  • Two Snake 
    Claybrook, Talon (2019)

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