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  • Siscoe, Brandon (University of Oregon, 2015)
    The work in my thesis exhibition exists as a sculpture of fragments. This work is a fluid definition of sculpture that understands itself not as a self-enclosed complete form, but as a flat ontology of object relationships ...
  • Krajkowski, Alex (University of Oregon, 2015)
    My practice involves surrendering control to a variety of generative processes as a way to create an image. By exposing gelatin silver paper to obscure chemical processes, or using simple machines to create photomechanical ...
  • Howell, Leah (2019)
    The intersection of the permanent and impermanent, the disposable and the pleasurable opens up a space for my work to live in. I seek to create a tension between the familiarity of objects, materiality and fragmentation. ...
  • Morgan, Mary (2017)
  • Parnes, Stephanie (2019)
  • Bjork, Aaron (2019)
    In the first century, Romans gathered in open-air marketplaces known now by the word bazaar, a variant of the Persian word bazar. As hubs for converging trade routes, these marketplaces served not only as sites for commerce, ...
  • Asahina, Lee (2017-06-22)
    My terminal project consists of paintings composed of flowers, hands, and scribbles along with various other shapes and marks that mine the personal, the cultural, and the historical. I make paintings in the spirit of ...
  • Mikenis, Sarah (2016)
    My work pretends to respond to the weight of the world like people do: forms bend, ostensibly pulled down by the weight of a tassel, canvas gets heavy and starts to sag, or objects buckle and fold, unable to stand upright ...
  • Hampton, Mandy; Keathley, Mandy (2017)
    To sculpt is to cloak empty space in material. Like a balloon containing air, my sculptures give shape to empty spaces, while simultaneously concealing them. The experience of making a sculpture is like hiking up a mountain; ...
  • Tolles, John (University of Oregon, 2015)
  • Two Snake 
    Claybrook, Talon (2019)
  • Wurts, Alexander (University of Oregon, 2018)
    For me, trying to reconcile the relationship between a digital image and the physical art-object is of specific importance and drives a lot of the questions I have about contemporary art practice. How do you negotiate ...
  • Anya, Dikareva (2016)
    Utilizing a feedback loop process which involves wearables, print and video, I condition spaces for shifting assumptions about sense and nonsense, creating portals of play, transformation, and reinvention of identity. ...
  • Miller, Daniel (2019)
  • Chen, Fei (University of Oregon, 2015)
    As a witness to the last two decades of China’s accelerating development and societal upheaval, I am specifically interested in the nation’s changes and social phenomena. I doubt myself to be a true Chinese person because ...
  • Wallace, Meril (2017-06-22)
    Here is where I first learned to love. To love the place that I am from. To love the harshness of the landscape and hot afternoon winds that rush between canyon walls. Where did this love come from? From time. Time spent ...

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