Browsing Master of Fine Arts Terminal Project Reports by Title

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  • Howell, Leah (2019)
    The intersection of the permanent and impermanent, the disposable and the pleasurable opens up a space for my work to live in. I seek to create a tension between the familiarity of objects, materiality and fragmentation. ...
  • Morgan, Mary (2017)
  • Parnes, Stephanie (2019)
  • Amini, Sajad (University of Oregon, 2021)
    Examining subjectivity and its association with a relocated body in diasporic circumstances has become the core concept of my work as an artist. I attempt to justify my own Being and comprehend the reflection of it through ...
  • Herceg, Noelle (University of Oregon, 2022)
    In the cold-lit stale rooms of IDEAL LIVING, her food tray is brought up as close as it could be to her chair, and my grandpa sits behind it. He picks up the spoon and scoops up mush— brown mush, with a little bit of green ...
  • Bjork, Aaron (2019)
    In the first century, Romans gathered in open-air marketplaces known now by the word bazaar, a variant of the Persian word bazar. As hubs for converging trade routes, these marketplaces served not only as sites for commerce, ...
  • Asahina, Lee (2017-06-22)
    My terminal project consists of paintings composed of flowers, hands, and scribbles along with various other shapes and marks that mine the personal, the cultural, and the historical. I make paintings in the spirit of ...
  • Mikenis, Sarah (2016)
    My work pretends to respond to the weight of the world like people do: forms bend, ostensibly pulled down by the weight of a tassel, canvas gets heavy and starts to sag, or objects buckle and fold, unable to stand upright ...
  • Cebere, Agnese (University of Oregon, 2022)
    My terminal creative project is concerned with spectatorship, freedom and control, the technologies of the grid and virtual reality, theatricality and performance. I investigate the tropes of the Western and the figure of ...
  • Hampton, Mandy; Keathley, Mandy (2017)
    To sculpt is to cloak empty space in material. Like a balloon containing air, my sculptures give shape to empty spaces, while simultaneously concealing them. The experience of making a sculpture is like hiking up a mountain; ...
  • Yahner, Carol (University of Oregon, 2022)
    Artist locates her work between subjective and objective forms of thought, contextualizing works within contemporary art making and somatic practices. Studio methodologies are discussed in which the artist toggles between ...
  • Tolles, John (University of Oregon, 2015)
  • Two Snake 
    Claybrook, Talon (2019)
  • Wurts, Alexander (University of Oregon, 2018)
    For me, trying to reconcile the relationship between a digital image and the physical art-object is of specific importance and drives a lot of the questions I have about contemporary art practice. How do you negotiate ...
  • Anya, Dikareva (2016)
    Utilizing a feedback loop process which involves wearables, print and video, I condition spaces for shifting assumptions about sense and nonsense, creating portals of play, transformation, and reinvention of identity. ...
  • Miller, Daniel (2019)
  • Chen, Fei (University of Oregon, 2015)
    As a witness to the last two decades of China’s accelerating development and societal upheaval, I am specifically interested in the nation’s changes and social phenomena. I doubt myself to be a true Chinese person because ...
  • Wallace, Meril (2017-06-22)
    Here is where I first learned to love. To love the place that I am from. To love the harshness of the landscape and hot afternoon winds that rush between canyon walls. Where did this love come from? From time. Time spent ...

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