n his 1984 essay collection The Responsibility of Forms Roland Barthes refutes the notion of a blank surface writing “No surface, wherever we consider it, is a virgin surface: everything is always, already, rough, ...

My terminal creative project is concerned with spectatorship, freedom and control, the technologies of the grid and virtual reality, theatricality and performance. I investigate the tropes of the Western and the figure of ...

Examining subjectivity and its association with a relocated body in diasporic circumstances has become the core concept of my work as an artist. I attempt to justify my own Being and comprehend the reflection of it through ...

In the first century, Romans gathered in open-air marketplaces known now by the word bazaar, a variant of the Persian word bazar. As hubs for converging trade routes, these marketplaces served not only as sites for commerce, ...

The intersection of the permanent and impermanent, the disposable and the pleasurable opens up a space for my work to live in. I seek to create a tension between the familiarity of objects, materiality and fragmentation. ...

Exuberance to Disturbance is a selection of personal anecdotes, lists, and short stories, a verbal articulation to one way of working visually. The purpose of this research is to establish different ways of generating ideas ...

My thesis work revolves around the tension between frustration and desire, through trying to connect the seemingly disparate activities of surfing and gay men cruising for sex. I am interested in the latent eroticism of ...

For me, trying to reconcile the relationship between a digital image and the physical art-object is of specific importance and drives a lot of the questions I have about contemporary art practice. How do you negotiate ...