dc.contributor.author |
Fisher, Alyssa |
|
dc.contributor.editor |
Voelker-Morris, Julie L. |
|
dc.contributor.editor |
Voelker-Morris, Robert J., 1969- |
|
dc.date.accessioned |
2015-01-07T22:53:19Z |
|
dc.date.available |
2015-01-07T22:53:19Z |
|
dc.date.issued |
2012-01 |
|
dc.identifier.issn |
1541-938X |
|
dc.identifier.uri |
http://hdl.handle.net/1794/18684 |
|
dc.description |
6 pages |
en_US |
dc.description.abstract |
This article documents and explores the emerging trend of music festivals that are incorporating transmedia narratives into their programming. I will provide an overview and documentation of three case study festivals: Midpoint Music Festival in Cincinnati, Ohio, Treasure Island Music Festival, in San Francisco, California, and South by Southwest, a music, film and interactive media festival in Austin, Texas, the trends that emerge among them, and the place of a transmedia festival in a wider culture of media-consumer interaction. |
en_US |
dc.language.iso |
en_US |
en_US |
dc.publisher |
Institute for Community Arts Studies, Arts & Administration Program, University of Oregon |
en_US |
dc.rights |
Creative Commons BY-NC-ND 4.0-US |
en_US |
dc.subject |
CultureWork |
|
dc.title |
CultureWork ; Vol. 16, No. 01 |
en_US |
dc.title.alternative |
Transcending the Music Festival: A Look into an Adoption of Transmedia |
en_US |
dc.type |
Article |
en_US |