dc.contributor.advisor |
Lin, Jenny |
|
dc.contributor.author |
Kim, Sangah |
|
dc.date.accessioned |
2016-11-21T16:54:27Z |
|
dc.date.available |
2016-11-21T16:54:27Z |
|
dc.date.issued |
2016-11-21 |
|
dc.identifier.uri |
http://hdl.handle.net/1794/20672 |
|
dc.description.abstract |
From the late nineteenth century, works inspired by Western art spread to China and Korea through Japan. Thus, Western art came to be accepted in China and Korea as a reinterpretation of Japan’s development of Western art, rather than a direct transmission from Western sources. This act of reinterpretation went on to have a lasting effect on the practice of Western-style painters in East Asia with their own acceptance modes. This thesis provides a study of self-portraits and nude paintings, two categories of painting without precedent in East Asia prior to the late nineteenth century, created by Kuroda Seiki, Li Shutong, Go Hui-dong, and Kim Gwan-ho in order to illustrate how East Asian countries established their own versions of modern art. |
en_US |
dc.language.iso |
en_US |
|
dc.publisher |
University of Oregon |
|
dc.rights |
All Rights Reserved. |
|
dc.subject |
Asian art history |
en_US |
dc.subject |
Go Hui-dong |
en_US |
dc.subject |
Kuroda Seiki |
en_US |
dc.subject |
Li Shutong |
en_US |
dc.subject |
Pan-Asianism |
en_US |
dc.subject |
Tokyo School of Fine Arts |
en_US |
dc.title |
Western-style Painting in Pan-Asian Context: The Art and Historical Legacies of Kuroda Seiki, Li Shutong, and Go Hui-dong, 1889-1916 |
|
dc.type |
Electronic Thesis or Dissertation |
|
thesis.degree.name |
M.A. |
|
thesis.degree.level |
masters |
|
thesis.degree.discipline |
Department of the History of Art and Architecture |
|
thesis.degree.grantor |
University of Oregon |
|