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dc.contributor.advisor
dc.contributor.authorBrunhaver, Kathryn
dc.date.accessioned2017-09-08T23:33:25Z
dc.date.available2017-09-08T23:33:25Z
dc.date.issued2017-08
dc.identifier.urihttp://hdl.handle.net/1794/22769
dc.description92 pagesen_US
dc.description.abstractBenjamin Britten's instrumental music has received relatively little attention in the music theory community compared to is operas and vocal music. This lecture document examines three of his instrumental works: the Suite for Cello, Op. 72, Second Suite for Cello, Op. 80, and Third Suite for Cello, Op. 87. An analysis of the First Suite will serve as the centerpiece of this document, while select movements from the other two Suites will reveal how Britten reinforces compositional methods established in the First Suite.en_US
dc.language.isoenen_US
dc.publisherUniversity of Oregonen_US
dc.rightsCreative Commons BY-NC-ND 4.0-USen_US
dc.subjectBenjamin Brittenen_US
dc.subjectInstrumental musicen_US
dc.titleStructural Organization in Benjamin Britten's Three Suites for Solo Celloen_US
dc.typeTerminal Projecten_US


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