dc.contributor.author |
Schestag, Thomas |
|
dc.date.accessioned |
2019-02-15T22:39:29Z |
|
dc.date.available |
2019-02-15T22:39:29Z |
|
dc.date.issued |
2014 |
|
dc.identifier.citation |
Schestag, T. (2013). Twombly's Roses. Konturen, 5, 59-84. doi: http://dx.doi.org/10.5399/uo/konturen.5.0.3236 |
en |
dc.identifier.issn |
1947-3796 |
|
dc.identifier.uri |
http://hdl.handle.net/1794/24390 |
|
dc.description |
26 pages |
en_US |
dc.description.abstract |
Following a studied detour through C. G. Jung, Eliot, D. H. Lawrence, and particularly R. M. Rilke, this essay tracks the lineage along which Cy Twombly, like a child, is "drawn to paint." |
en_US |
dc.language.iso |
en |
en_US |
dc.publisher |
University of Oregon |
en_US |
dc.rights |
Creative Commons BY-NC-ND 4.0-US |
en_US |
dc.title |
Twombly's Roses |
en_US |
dc.type |
Article |
en_US |
dc.identifier.doi |
10.5399/uo/konturen.5.0.3236 |
|