Papers on Power

 

Recent Submissions

  • Untitled 
    Zuckerman-Hartung, Molly; Center for Art Research, University of Oregon (2021)
  • Werbel, Libby; Center for Art Research, University of Oregon (2021)
  • Tobier, Nick; Center for Art Research, University of Oregon (2021)
  • Thakur, Garima; Towne, Sharita; Center for Art Research, University of Oregon (2021)
  • Precarious People's Party; Center for Art Research, University of Oregon (2021)
    A conversation organized by Jea Alford & Ariana Jacob with Susan Cuffaro, Sean Cumming, Brian Dolber, Hannah Gioia, Anna Gray, Patricia Vázquez Gómez, Cat Hollis, Anna Neighbor, Larissa Petrucci, Emmett Schlenz, and Lise Soskolne.
  • Palmer, A. Laurie; Center for Art Research, University of Oregon (2021)
    The Lichen Museum considers this slow, resistant, adaptive and collective organism as an anti-capitalist companion and climate change survivor. This glossary is a living text that pulls quotes and excerpts from that ...
  • Koiki, Bukola; Center for Art Research, University of Oregon (2021)
  • Imatani, Garrick; Center for Art Research, University of Oregon (2021)
    This public conversation was held on April 18, 2021 in conjunction with Garrick Imatani’s CFAR exhibition, monologue. The artists discussed the nuanced ways in which their identity figures into their work—looking at ...
  • Hutchins, Jessica Jackson; Center for Art Research, University of Oregon (2021)
  • Green, Nicki; Center for Art Research, University of Oregon (2021)
  • Campbell, Crystal Z.; Center for Art Research, University of Oregon (2021)
  • Amir, Yaelle S.; Center for Art Research, University of Oregon (2021)
    An un-articulate list of select random, sometimes foggy thoughts taken from a ‘power journal’ I kept while developing the series of programs Dismantling the House for CFAR (winter 2020 to spring 2021).
  • Center for Art Research, University of Oregon; Abreu, Manuel Arturo (University of Oregon, 2021)
    I unyoke the issue of real and fake from the artificial, post-Enlightenment European context of ‘art’ to look at the prehistory, which is theological and entheogenic in nature. I first discuss Sylvia Wyner’s notion of ...