dc.contributor.author |
Simon, Sheila |
|
dc.date.accessioned |
2007-07-31T17:22:09Z |
|
dc.date.available |
2007-07-31T17:22:09Z |
|
dc.date.issued |
2003 |
|
dc.identifier.citation |
82 Or. L. Rev. 1107 (2003) |
en |
dc.identifier.issn |
0196-2043 |
|
dc.identifier.uri |
http://hdl.handle.net/1794/4577 |
|
dc.description |
18 p. |
en |
dc.format.extent |
88505 bytes |
|
dc.format.mimetype |
application/pdf |
|
dc.language.iso |
en_US |
en |
dc.publisher |
University of Oregon School of Law |
en |
dc.subject |
Domestic violence |
|
dc.subject |
Family violence -- United States |
|
dc.subject |
Country music -- Social aspects -- United States |
|
dc.title |
Oregon Law Review : Vol. 82, No. 4, p. 1107-1124 : Greatest Hits: Domestic Violence in American Country Music |
en |
dc.title.alternative |
Greatest Hits: Domestic Violence in American Country Music |
en |
dc.title.alternative |
Domestic Violence in American Country Music |
en |
dc.type |
Article |
en |