dc.contributor.author |
Ordway, Scott J., 1984- |
|
dc.date.accessioned |
2009-03-06T02:08:34Z |
|
dc.date.available |
2009-03-06T02:08:34Z |
|
dc.date.issued |
2008-12 |
|
dc.identifier.uri |
http://hdl.handle.net/1794/8715 |
|
dc.description |
1 score (x, 178 p.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. |
en |
dc.description.abstract |
Symphony No.2, "Crime in the House of Names," is a forty-minute work for
large orchestra in four movements. The final movement features a mezzo-soprano soloist
who sings a setting of the poem "Herbsttag" ("Autumn Day") by Rainer Maria Rilke in a
version that was freely adapted for music by the composer. While the symphony is not
expressly programmatic, it is deeply philosophical in nature; it is an expression of the
archetypal human themes of pain, loss, struggle, acceptance, and redemption. |
en |
dc.description.sponsorship |
Adviser: Robert Kyr |
en |
dc.language.iso |
en_US |
en |
dc.publisher |
University of Oregon |
en |
dc.relation.ispartofseries |
University of Oregon theses, University of Oregon theses, School of Music and Dance, M. Mus., 2008; |
|
dc.title |
Symphony No.2, "Crime in the House of Names" |
en |
dc.type |
Thesis |
en |