dc.contributor.author |
Pennell, Summer Melody |
|
dc.contributor.author |
Slavick, Elin O'Hara |
|
dc.contributor.author |
DeGuzmán, María |
|
dc.contributor.editor |
Voelker-Morris, Julie L. |
|
dc.contributor.editor |
Voelker-Morris, Robert J., 1969- |
|
dc.date.accessioned |
2009-10-30T22:34:51Z |
|
dc.date.available |
2009-10-30T22:34:51Z |
|
dc.date.issued |
2009-10 |
|
dc.identifier.issn |
1541-938X |
|
dc.identifier.uri |
http://hdl.handle.net/1794/9897 |
|
dc.description |
18 p. |
en_US |
dc.description.abstract |
Creating & Performing Pinang & Ayu: A Love Story
A Lesbian Shadow-Puppet Performance: I fell in love with wayang kulit (Indonesian shadow-puppet theater) in Jan
Mrázek’s art history class in 2003. This love led to my own performance, 6 years
later, as a graduate student at the University of Oregon. On May 7th, 2009 I
performed Pinang and Ayu: A Love Story, for my Folklore MA. The performance
was largely collaborative, as I was working with Gamelan Sari Pandhawa of
Eugene, OR, and I owe director Qehn considerable thanks for his guidance. The
creative and learning processes, and of course the performance itself, were
unforgettable experiences -- The Bailout Biennial (January 15 until April 15, 2009): How can and do we respond to the economic, political, and social world around us
as artists at a time of heightened frenzy and pending doom? Can art shed some
light on the current situation or poke some holes in the dull screen of it all? |
en_US |
dc.language.iso |
en_US |
en_US |
dc.publisher |
Institute for Community Arts Studies, Arts & Administration Program, University of Oregon |
en_US |
dc.subject |
CultureWork |
|
dc.title |
CultureWork ; Vol. 13, No. 04 |
en_US |
dc.title.alternative |
The Bailout Biennial (January 15 until April 15, 2009) |
en_US |
dc.title.alternative |
Creating & Performing Pinang & Ayu: A Love Story A Lesbian Shadow-Puppet Performance |
en_US |
dc.type |
Article |
en_US |