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  • Massimo, Lollini (Annali d'Italianistica, 2007)
    This article analyzes the “deification” of the Renaissance artist as a consequence of the encounter of Neoplatonic and Christian trends, which will ultimately usher in secular autobiography.
  • Lollini, Massimo, 1954- (The Yearbook of Comparative and General Literature, 1998)
    Maravall's interpretation of Baroque culture takes advantage of Gramsci's idea of hegemony and allows one to go beyond Wölfflin's esthetic conception of Baroque style, without forgetting the importance of his analysis ...
  • Lollini, Massimo, 1954- (2011-06-24)
    This videoconference discusses on the one hand Vico's idea of nature in relation to the emergence of human history; on the other hand it analyzes Vico's idea of modernity. Finally, it offers some reflections on Vico's "more ...
  • Lollini, Massimo; Lollini, Massimo (Il Mulino, 2007)
    "Il saggio studia la disaffezione alla scrittura autobiografica in prima persona in forme che in maniera sia pure diversa manifestano la comune tendenza «oggettivante» a trasformare l'io in un Sé come un altro, come direbbe ...
  • Lollini, Massimo, 1954- (PSA The Journal of the Pirandello Society of America, 2004)
    This essay examines the philosophical dimension of Pirandello's idea of writing and the different literary genres included in II fu Mattia Pascal (1904). The analysis begins with Pirandello's representation of journalism ...
  • Lollini, Massimo, 1954- (Annali d'Ialianistica, 2004)
    This article is part of the monographic volume of the Annali d'Italianistica (2004) on "Francis Petrarch & the European Lyric Tradition." It reflects on how the notion of Petrarchism has been developed in recent criticism ...
  • Lollini, Massimo, 1954- (Rivista di letterature moderne e comparate, 1999)
    This articles examines Primo Levi's relationship with Paul Celan's poetry and discusses the notion of "testimony" in literature
  • Lollini, Massimo, 1954- (Pearson Education, India, 2010)
    This essay addresses the problematic nature of the elevated style within the modern novel; it focuses on Cervantes' Don Quixote —a fundamental point of reference for modern and post-modern theories of the novel— and on ...
  • Lollini, Massimo, 1954- (Humanist Studies & the Digital Age, 2011)
    This article examines the theoretical premises and consequences of the renewed attention to the intersection between philology, hermeneutics, and criticism in humanist studies in general and in Petrarch studies in particular. ...
  • Lollini, Massimo, 1954- (Italian Studies in Southern Africa, 1996)
  • Lollini, Massimo, 1954- (Annali d'Italianistica, 2001)
    In this essay on "Scrittura e alterità in Petrarca," Massimo Lollini is interested in ethics as a point of intersection between philosophy and literature. Lollini studies how the notion of otherness in literature emerges ...
  • Lollini, Massimo, 1954- (Annali d'Italianistica, 1995)
    This article studies the relationships between mysticism and autobiography in the works of Veronica Giuliani and in the context of Baroque religion and culture.
  • Lollini, Massimo, 1954- (Annali d'Italianistica, 2006)
    This article is part of a monographic volume of the Annali d'Italianistica (2006) on "Italian Identities," edited by Norma Bouchard.It shows how Saba’s Canzoniere, and particularly the verses of the section Mediterranee, ...
  • Lollini, Massimo, 1954- (Quodlibet, 2002)
    This article studies the evolution of the idea of "infinite" from Humanist and Renaissance philosophy to Giambattista Vico's idea of "ideal eternal history".
  • Lollini, Massimo, 1954- (Annali d'Italianistica, 2011)
    This essay considers how in Vico the alterity of nature plays a role in the formation of humanity, as part of the complexity and interconnectivity of life, resisting acritical historicization and reduction to purely human ...
  • Lollini, Massimo, 1954- (Dept. of Modern Languages, Florida State University, 1995-02)
    This article analyzes Giambattista Vico's attitude toward Baroque Culture.

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