dc.contributor.author |
Roberts, David Michael, 1983- |
|
dc.date.accessioned |
2009-11-24T01:52:36Z |
|
dc.date.available |
2009-11-24T01:52:36Z |
|
dc.date.issued |
2009-09 |
|
dc.identifier.uri |
http://hdl.handle.net/1794/9981 |
|
dc.description |
1 score (viii, 83 p.). A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. |
en_US |
dc.description.abstract |
Essay for Orchestra is a one-movement concert piece scored for full orchestra.
Since the definition of the genre "orchestral essay" is unclear, the composer has
considerable latitude while still claiming a connection to a musical tradition. I have used
the term "essay" to suggest a formal function. The piece is structured around the
interaction between three main themes, each of which is derived from the same basic
motivic material and corresponds to an element of a prose essay: an introduction; the
advancement of a main argument; and the statement and eventual refutation of a
counterargument. Each theme appears first in its own section and later in conjunction
with the others, the coda functioning as a confirmation of the primary idea and a
synthesis of all three. Harmonically, Essay for Orchestra is an attempt to blend the
languages of Prokofiev, Hindemith, Shostakovich, Schnittke, and in deference to the title,
Barber. |
en_US |
dc.description.sponsorship |
Committee in Charge:
Dr. David Crumb, Chair;
Dr. Robert Kyr;
Dr. Jeffrey Stolet |
en_US |
dc.language.iso |
en_US |
en_US |
dc.publisher |
University of Oregon |
en_US |
dc.relation.ispartofseries |
University of Oregon theses, School of Music and Dance, M. Mus., 2009; |
|
dc.title |
Essay for Orchestra |
en_US |
dc.type |
Thesis |
en_US |