Maravall's Culture of the Baroque Between Wölfflin, Gramsci and Benjamin
dc.contributor.author | Lollini, Massimo, 1954- | |
dc.date.accessioned | 2010-10-23T19:27:16Z | |
dc.date.available | 2010-10-23T19:27:16Z | |
dc.date.issued | 1998 | |
dc.description.abstract | Maravall's interpretation of Baroque culture takes advantage of Gramsci's idea of hegemony and allows one to go beyond Wölfflin's esthetic conception of Baroque style, without forgetting the importance of his analysis that was important also for Walter Benjamin. | en_US |
dc.identifier.citation | Maravall's Culture of the Baroque Between Wölfflin, Gramsci and Benjamin | en_US |
dc.identifier.uri | https://hdl.handle.net/1794/10810 | |
dc.language.iso | en_US | en_US |
dc.publisher | The Yearbook of Comparative and General Literature | en_US |
dc.subject | Maravall, Jose Antonio | |
dc.subject | Baroque | |
dc.subject | Wolfflin, Heinrich, 1864-1945 | |
dc.subject | Gramsci, Antonio, 1891-1937 | |
dc.subject | Benjamin, Walter, 1892-1940 | |
dc.title | Maravall's Culture of the Baroque Between Wölfflin, Gramsci and Benjamin | en_US |
dc.type | Article | en_US |