Arcadian Ruins: Remains of the Past in Contemporary Russian Art

dc.contributor.advisorPresto, Jenifer
dc.contributor.authorVikulina, Nadezhda
dc.date.accessioned2020-09-24T17:23:40Z
dc.date.available2020-09-24T17:23:40Z
dc.date.issued2020-09-24
dc.description.abstractThis thesis considers the subversive ways contemporary Russian art offers of looking at the ruins left by the recent Soviet past. It focuses on works of poetry and photography that capture the transformation of the landscape of industrial neighborhoods and how the material presence of the remains of the past exist in relation to the space of everyday life and shapes our perception of the present. Galina Rymbu’s poetic depiction of the disintegration of the industrial landscape in the 1990s and the photographic project “Arcadia” by Anastasia Tsayder that captures the abandoned and overgrown Soviet garden cities dwell on these spaces in a way that is utterly non-nostalgic and suggestive of new ways of inhabiting them and weaving them into the plane of the historical now.en_US
dc.identifier.urihttps://hdl.handle.net/1794/25690
dc.language.isoen_US
dc.publisherUniversity of Oregon
dc.rightsAll Rights Reserved.
dc.subjectGarden Cityen_US
dc.subjectNostalgiaen_US
dc.subjectPhotographyen_US
dc.subjectPost-Sovieten_US
dc.subjectRuinen_US
dc.subjectRussian poetryen_US
dc.titleArcadian Ruins: Remains of the Past in Contemporary Russian Art
dc.typeElectronic Thesis or Dissertation
thesis.degree.disciplineRussian, East European, and Eurasian Studies Program
thesis.degree.grantorUniversity of Oregon
thesis.degree.levelmasters
thesis.degree.nameM.A.

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