Debussy’s Pour les Sonorités opposées: Its Analysis and Interpretations
| dc.contributor.advisor | ||
| dc.contributor.author | Uchida, Rika | |
| dc.date.accessioned | 2018-01-19T19:50:28Z | |
| dc.date.available | 2018-01-19T19:50:28Z | |
| dc.date.issued | 2004-03 | |
| dc.description | 230 pages | en_US |
| dc.description.abstract | Claude Debussy’s Pour les Sonorités opposées from Douze Études presents the composer’s new language and experimentations for the keyboard. This lecture- document presents the analysis of Pour les Sonorités opposées, a comparison of interpretations by three pianists, Walter Gieseking, Maurizio Pollini and Mitsuko Uchida, and my own interpretation. The document explores how analysis contributes to a better interpretation. | en_US |
| dc.identifier.uri | https://hdl.handle.net/1794/23020 | |
| dc.language.iso | en | en_US |
| dc.publisher | University of Oregon | en_US |
| dc.rights | Creative Commons BY-NC-ND 4.0-US | en_US |
| dc.title | Debussy’s Pour les Sonorités opposées: Its Analysis and Interpretations | en_US |
| dc.type | Terminal Project | en_US |