Moises Kaufman: The Search for New Forms
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Date
2003-08
Authors
Brown, Rich
Journal Title
Journal ISSN
Volume Title
Publisher
University of Oregon
Abstract
This study identifies and examines Moises Kaufinan's theoretical questions and
rehearsal techniques from their development in initial works at New York University to
their specific application during the creation of Gross Indecency: The Three Trials of Oscar
Wilde and The Laramie Project by his Tectonic Theater Project. Kaufinan's upbringing
and major artistic influences are investigated in order to trace the origins of his current
theoretical language and approach to making theatre. This dissertation primarily focuses
on Kaufi:nan's approach to the workshop space as discussed in relation to his search for
new theatrical forms, and his style of communication with company members. Such focus
offers new questions regarding the basis and range ofKaufinan's aesthetic. The two
guiding questions of the study ask: What is Kaufinan's directorial role in Tectonic Theatre
Project's creation of new work? How does he ensure the "copulation" of form and content
in the workshop space when creating new works?
Chapter II outlines Kaufman's biography through detailing his education in
Venezuela and in the Experimental Theatre Wing at New York University, as well as traces
his early production history. Chapter III investigates how Tectonic techniques led to the
creation of Gross Indecency examining Kaufman's inciting hunch, the depth of his
research, his organizing principle and expanding through-lines, and "moment work."
Chapter IV continues to trace the development of these Tectonic techniques through
the creation of The Laramie Project, highlighting the fact that no two Tectonic Theater
Project productions have been created in the same manner. This chapter also raises the
crucial question of Kaufman's role as Tectonic's workshop director in regards to the issues
of authority and authoring.
Chapter V arrives at concluding questions and thoughts on Kaufman's theoretical
questions in traffic with his workshop techniques, and how these shape his directorial and
authorial aesthetics. Chapter V concludes with questions for further study on Kaufman
and historically based theatre.
Description
294 pages
Keywords
Moises Kaufman, Tectonic Theatre Project, The Laramie Project, Oscar Wilde, Matthew Shepard, Gross Indecency