Artistic and Religious Aspects of Nosatsu (Senjafuda)
| dc.contributor.author | Steinmetz, Mayumi Takanashi | |
| dc.date.accessioned | 2017-11-03T23:54:46Z | |
| dc.date.available | 2017-11-03T23:54:46Z | |
| dc.date.issued | 1985-06 | |
| dc.description | 195 pages | en_US |
| dc.description.abstract | Nosatsu is both a graphic art object and a religious object. Until very recently, scholars have ignored nosatsu because of its associations with superstition and low-class, uneducated hobbyists. Recently, however, a new interest in nosatsu has revived because of its connections to ukiyo-e. Early in its history, nosatsu was regarded as a means of showing devotion toward the bodhisattva Kannon. However, during the Edo period, producing artistic nosatsu was emphasized more than religious devotion. There was a revival of interest in nosatsu during the Meiji and Taisho periods, and its current popularity suggests a national Japanese nostalgia toward traditional Japan. Using the religious, anthropological, and art historical perspectives, this theses will examine nosatsu and the practices associated with it, discuss reasons for the changes from period to period, and explore the heritage and the changing values of the Japanese common people. | en_US |
| dc.identifier.uri | https://hdl.handle.net/1794/22962 | |
| dc.language.iso | en | en_US |
| dc.publisher | University of Oregon | en_US |
| dc.rights | Creative Commons BY-NC-ND 4.0-US | en_US |
| dc.subject | Japanese culture | en_US |
| dc.subject | Buddhism | en_US |
| dc.subject | Buddhist art | en_US |
| dc.subject | Religious articles | en_US |
| dc.title | Artistic and Religious Aspects of Nosatsu (Senjafuda) | en_US |
| dc.type | Thesis / Dissertation | en_US |