Going Feral: The Utopian Horror of Human-Animal Hybrids
dc.contributor.advisor | LeMenager, Stephanie | |
dc.contributor.author | Maggiulli, Katrina | |
dc.date.accessioned | 2016-10-27T18:39:54Z | |
dc.date.available | 2016-10-27T18:39:54Z | |
dc.date.issued | 2016-10-27 | |
dc.description.abstract | According to the material feminist corpus, namely Stacy Alaimo’s concept of trans-corporeality, material flows and interconnectivity between humans and their environment insists that the human body has never been atomistic, but rather a porous figure that continually interacts/intra-acts with its environment. The recent biotechnological boom allowing for the production of human-animal hybrids (chimeras) provides the kind of visualization of these interconnectivities that can help instigate a reconception of the human—as not human at all, but rather posthuman. This study looks at the presence of these human-animal hybrids in popular art media, specifically: the horror film, Splice (Dir. Natali 2009); the YA novel, Inhuman (Falls 2013); and the comic, Sweet Tooth (Lemire 2009-2013). This thesis argues that the human-animal hybrid figure exhibits utopian horror, or the use of horror to produce new, better, ways of conceptualizing human-animal relationships, ones that acknowledge our already posthuman plurality of self. | en_US |
dc.identifier.uri | https://hdl.handle.net/1794/20463 | |
dc.language.iso | en_US | |
dc.publisher | University of Oregon | |
dc.rights | All Rights Reserved. | |
dc.subject | Animals | en_US |
dc.subject | Comics | en_US |
dc.subject | Horror | en_US |
dc.subject | Hybrids | en_US |
dc.subject | Trans-corporeality | en_US |
dc.subject | Young adult | en_US |
dc.title | Going Feral: The Utopian Horror of Human-Animal Hybrids | |
dc.type | Electronic Thesis or Dissertation | |
thesis.degree.discipline | Environmental Studies Program | |
thesis.degree.grantor | University of Oregon | |
thesis.degree.level | masters | |
thesis.degree.name | M.A. |
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