The Field of Musical Improvisation

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dc.contributor.authorFrisk, Henrik
dc.contributor.authorWeijland, Bart
dc.contributor.authorFrisk, Henrik
dc.date.accessioned2018-12-11T23:29:40Z
dc.date.available2018-12-11T23:29:40Z
dc.date.issued2009
dc.description18 pagesen_US
dc.description.abstractIn this essay the first initiatives are presented to come to a new theoretical approach of musical improvisation. The main idea is to regard musical improvisation as a nonlinear dynamical system in which various (f)actors interact and connect in complex ways. In other words, the Field of Musical Improvisation (FMI) has no stable or strict identity.en_US
dc.identifier.citationCobussen, Marcel, Henrik Frisk, & Bart Weijland. "The Field of Musical Improvisation." Konturen [Online], 2.1 (2009): 168-185. Web. 11 Dec. 2018en_US
dc.identifier.doi10.5399/uo/konturen.2.1.1356
dc.identifier.issn1947-3796
dc.identifier.urihttps://hdl.handle.net/1794/23963
dc.language.isoenen_US
dc.publisherUniversity of Oregonen_US
dc.rightsCreative Commons BY-NC-ND 4.0-USen_US
dc.titleThe Field of Musical Improvisationen_US
dc.typeArticleen_US

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Konturen: Vol 2 (2009)