Harmony in Bulgarian Music

dc.contributor.authorKirilov, Kalin Stanchev
dc.date.accessioned2013-10-25T00:37:55Z
dc.date.available2013-10-25T00:37:55Z
dc.date.issued2007
dc.description555 pagesen_US
dc.description.abstractThis study focuses on the development of harmonic vocabulary in Bulgarian music. It analyzes the incorporation of harmony in village music from the 1930s to the 1990s, "wedding music" from the 1970s to 2000, and choral and instrumental arrangements (obrabotki, creations of the socialist period (1944-1989). This study also explains that terms which are frequently applied to Bulgarian music, such as "westernization," "socialist-style arrangements," or "Middle Eastern influence," depict sophisticated networks of codified and non-codified rules for harmonization which to date have not been studied. The dissertation classifies different approaches to harmony in the above mentioned styles and situates them in historical and cultural contexts, examines existing principles for harmonizing and arranging Bulgarian music, and establishes new systems for analysis. It suggests that the harmonic language of the layers of Bulgarian music is based upon systems of rules which can be approached and analyzed using Western music theory. TV1y analysis of harmony in Bulgarian music focuses on representative examples of each style discussed. These selections are taken from the most popular and well-received compositions available in the repertoire.en_US
dc.description.embargo10000-01-01
dc.identifier.urihttps://hdl.handle.net/1794/13533
dc.language.isoen_USen_US
dc.publisherUniversity of Oregonen_US
dc.relation.ispartofseriesUniversity of Oregon theses, School of Music and Dance;Ph.D., 2007
dc.rightsAll Rights Reserved.en_US
dc.subjectMusic -- Bulgaria -- History and criticismen_US
dc.subjectFolk music -- Bulgaria -- History and criticismen_US
dc.subjectHarmonyen_US
dc.titleHarmony in Bulgarian Musicen_US
dc.typeThesis / Dissertationen_US

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