Master of Fine Arts Terminal Project Reports

 

Recent Submissions

  • Walot, Doran (University of Oregon, 2020)
  • Zhang, Junwei (University of Oregon, 2020)
    My project Pseudo-well is an extension of my previous work A Well. Back then I only had a vague plan to address the disconnectedness of individual and our globalized space by using the round shape of a tire and the depth ...
  • Talaei, Elnaz (University of Oregon, 2020)
  • Molloy, Ian Sherlock (University of Oregon, 2021)
  • EVANS, EDEN VITA (University of Oregon, 2021)
    The Center for Investigation of Land Mass Agency (CILMA), is a field study project that activates the natural landscape to investigate care, thing-power and land use. Through site-specific experimentation and ritual ...
  • Bodenhamer, Devon (University of Oregon, 2021)
    I create installations that use humor and the visual language of the domestic space to disarm and analyze emotional discomfort in order to create a more whole sense of self. The work invites those who choose to participate ...
  • Anderson, Claire (University of Oregon, 2021)
  • Turner, Caroline (University of Oregon, 2021)
    Hinterland is a proposition; a speculative state of being - a conspiracy. It is an arch, a gate, and a portal; congealing time and collapsing itself into the present. A hinterland is typically thought of as the less ...
  • Reckling, Tannon (University of Oregon, 2021-06)
  • Yahner, Carol (University of Oregon, 2022)
    Artist locates her work between subjective and objective forms of thought, contextualizing works within contemporary art making and somatic practices. Studio methodologies are discussed in which the artist toggles between ...
  • Roemen, Marshall (University of Oregon, 2005-06-11)
  • Stoll, Tyler (2022-06)
    This text focuses on the relationship between my thesis exhibition and a manifesto I have written, both of which are titled "the future is flaccid." The manifesto proposes “flaccidity” as a radical embodiment and tool to ...
  • Petkau, Hannah (2022)
    Drawing is a balancing act of reality and fiction. Line and form are markers, representative of space and experience, a record of things tangible and ephemeral. There is the capacity for a linear trajectory but it can be ...
  • Lichucki, Caroline (2022)
    My practice finds roots that extend towards the transient, the mundane, and the chthonic. I am informed by my training in traditional forms of drawing, painting, and sculpture. This foundation lays the framework for images ...
  • Langley, Erin (University of Oregon, 2022)
    n his 1984 essay collection The Responsibility of Forms Roland Barthes refutes the notion of a blank surface writing “No surface, wherever we consider it, is a virgin surface: everything is always, already, rough, ...
  • Herceg, Noelle (University of Oregon, 2022)
    In the cold-lit stale rooms of IDEAL LIVING, her food tray is brought up as close as it could be to her chair, and my grandpa sits behind it. He picks up the spoon and scoops up mush— brown mush, with a little bit of green ...
  • Cebere, Agnese (University of Oregon, 2022)
    My terminal creative project is concerned with spectatorship, freedom and control, the technologies of the grid and virtual reality, theatricality and performance. I investigate the tropes of the Western and the figure of ...
  • Buzzee, Dana (2022)
    Towards offering narrative and details on the research and thought which has evolved into my terminal creative project, Eternal Flux, this report takes the form of a collection of smaller verses through the methodology of ...
  • Amini, Sajad (University of Oregon, 2021)
    Examining subjectivity and its association with a relocated body in diasporic circumstances has become the core concept of my work as an artist. I attempt to justify my own Being and comprehend the reflection of it through ...
  • Vaughn, Jen (2019)

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