• When I Dream I See Real Things 

  Lee, Sydney (University of Oregon, 2024-06)

  My terminal project, When I Dream I See Real Things, focuses on large-scale quilts installed on the wall as a reference to painting. These quilts are fully functional as domestic objects but are rendered non-functional ...
• Shapeshifter: A Transcendence from Woman to Slug 

  O'Shea, Ellen (University of Oregon, 2024)

  This text serves as a companion to my terminal creative project, Shapeshifter, which documents the transformation from woman to slug and elaborates on the sociopolitical and cultural contexts that inform my artistic ...
• The Overlook 

  Gordon, Conner (University of Oregon, 2024)

  The photographs in The Overlook are made in the scenic viewpoints that dot the Oregon Coast, which attempt to flatten the land into a definitive vista. Within these spaces, I depict overlook infrastructure with a large ...
• Machines of Loving Grace 

  Taylor, Noa (University of Oregon, 2024)

  This terminal creative project report is the written accompaniment to the art exhibition Machines of Loving Grace, originally installed at Ditch Projects in Springfield, Oregon in May 2024. As such, it examines the ...
• Everything's Trash. Everything's Treasure. 

  Campbell, Ashley (University of Oregon, 2024)

  My artistic practice is rooted in process-based research, manifesting as a type of pastiche—an interdisciplinary collage of video, sculpture, and sound performance. I'm interested in how seemingly disparate things come ...
• Meeting the Tower 

  Evans, Mary (University of Oregon, 2023)

  The wheel of change spins, creating cylindrical space like a slow-moving tornado in which we reside in the center. It collapses in on itself. Memory creates the shape of a spiral thrust forward into the future, mimicking ...
• RICE, a queer yellow fantasy 

  Zeng, William (University of Oregon, 2023-06)

  This text is an accompaniment towards a terminal creative project, RICE, a queer yellow fantasy, and describes the sociopolitical and cultural histories that my artistic practice is engaged in. This paper traces the three ...
• Memory of Returns 

  Gutnik, Anastasiya (University of Oregon, 2023-06)

  I always wanted to carry my mother’s family name Vodonos, which translates to water bearer in Russian. Harkening back to generations that came before me, the name traces the labor of walking which provided this essential ...
• Permeable Boundaries 

  Peña, David (University of Oregon, 2023-06)

  Permeable boundaries is an intimate reflection of the past to understand the present — a contemplation of embedded histories, family, memory, grief, and borders. Coming from a geographical borderland between the westernmost ...
• How Do the Visible Hide? A Report on Marginal Identity 

  Brennan, Lily Wai (University of Oregon, 2023-06)

  How does one hide from the world when you walk through it observed like an animal in a zoo? Meandering through a childhood sited in a rural, conservative, white community, I was continuously faced with nonconsensual moments ...
• [Title not provided] 

  Clarke, Kara (University of Oregon, 2023-06)

  feminism and gender studies
• Good Humor 

  Walot, Doran (University of Oregon, 2020)
• Pseudo-well: A Dilemmatic Aura of Modernity in the west and the non-west 

  Zhang, Junwei (University of Oregon, 2020)

  My project Pseudo-well is an extension of my previous work A Well. Back then I only had a vague plan to address the disconnectedness of individual and our globalized space by using the round shape of a tire and the depth ...
• I’m not here; this isn’t happening. 

  Talaei, Elnaz (University of Oregon, 2020)
• Latent Interiors: Memory, Environment, and the Body 

  Molloy, Ian Sherlock (University of Oregon, 2021)
• The Center for Investigation of Land Mass Agency (CILMA):ON CARE + ENTANGLEMENT: BECOMING THE CENTER FOR INVESTIGATION OF LAND MASS AGENCY 

  EVANS, EDEN VITA (University of Oregon, 2021)

  The Center for Investigation of Land Mass Agency (CILMA), is a field study project that activates the natural landscape to investigate care, thing-power and land use. Through site-specific experimentation and ritual ...
• There’s A Dog In My House And Some Dogs In My Head 

  Bodenhamer, Devon (University of Oregon, 2021)

  I create installations that use humor and the visual language of the domestic space to disarm and analyze emotional discomfort in order to create a more whole sense of self. The work invites those who choose to participate ...
• flesh pixels, post perfect 

  Anderson, Claire (University of Oregon, 2021)
• Hinterland 

  Turner, Caroline (University of Oregon, 2021)

  Hinterland is a proposition; a speculative state of being - a conspiracy. It is an arch, a gate, and a portal; congealing time and collapsing itself into the present. A hinterland is typically thought of as the less ...
• hyperclap shibboleth queer tool 

  Reckling, Tannon (University of Oregon, 2021-06)

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