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dc.contributor.authorLollini, Massimo
dc.date.accessioned2018-01-03T19:55:46Z
dc.date.available2018-01-03T19:55:46Z
dc.date.issued1992
dc.identifier.citationLollini, Massimo. Le Muse, Le Maschere E Il Sublime : G.B. Vico E La Poesia Nell'età Della "Ragione Spiegata". Napoli: Guida, 1994. Print.en_US
dc.identifier.urihttp://hdl.handle.net/1794/23002
dc.description348 pagesen_US
dc.description.abstractThis book studies Vico’s reflection on the evolution of poetry, poetics and rhetoric from Renaissance to Baroque. Vico believes that poetry, having lost its mythological origins, no longer has any eternal or fixed content. This process was particularly acute in the baroque period. The emergence of the mask as an emblem of Baroque culture testifies, as Vico writes, to the loss of the perception of nature as divine substance, producing a loss both of the constitutive referentiality of language and of its supposed “natural” origin.en_US
dc.language.isoiten_US
dc.publisherGuidaen_US
dc.relation.ispartofseriesStudi Vichiani;22.;
dc.rightsCreative Commons BY-NC-ND 4.0-USen_US
dc.subjectVicoen_US
dc.subjectPoetryen_US
dc.subjectRenaissanceen_US
dc.subjectBaroqueen_US
dc.subjectMasksen_US
dc.subjectMythologyen_US
dc.subjectSublimeen_US
dc.subjectItalian theoryen_US
dc.titleLe muse, le maschere e il sublime. Giambattista Vico e la poesia nell'età della "ragione spiegata"en_US
dc.typeBooken_US


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