dc.contributor.author |
Wilson, Wendy A. Danforth, 1949- |
|
dc.date.accessioned |
2009-04-02T22:19:14Z |
|
dc.date.available |
2009-04-02T22:19:14Z |
|
dc.date.issued |
1974-08 |
|
dc.identifier.uri |
http://hdl.handle.net/1794/8942 |
|
dc.description |
vii, 219 p. A print copy of this title is available through the UO Libraries under the call numbers: SCA Archiv Theses W6988 |
en |
dc.language.iso |
en_US |
en |
dc.publisher |
University of Oregon |
en |
dc.relation.ispartofseries |
University of Oregon theses, Dept. of Speech, M.A., 1974; |
|
dc.title |
The theatricality of revivalism as exemplified in the artistry of Billy Sunday and Aimee Semple McPherson |
en |
dc.type |
Thesis |
en |