Constructed Realities in Women's Prisons: From "Beyond Scared Straight" to "Orange is the New Black"

dc.contributor.authorStearns, Teija Rae
dc.date.accessioned2014-10-09T19:09:35Z
dc.date.available2014-10-09T19:09:35Z
dc.date.issued2014-06
dc.description63 pages. A thesis presented to the Department of Journalsm and Communications, and the Clark Honors College of the University of Oregon in partial fulfillment of the requirements for degree of Bachelor of Arts, Spring 2014.en_US
dc.description.abstractThe show "Orange is the New Black," released by Netflix in 2013 and set in a women's prison, received rave reviews and skyrocketed in popularity. Critics lauded the show as a realistic representation of prison. This paper examines the mediated reality of women's prisons, compares past and present representations of women's prisons in the mass media, and examines the prison industrial complex and media effects theories. This paper finds that Orange is the New Black represents a fundamental shift in media discourse and audience interest in the stories of incarcerated women.en_US
dc.identifier.urihttps://hdl.handle.net/1794/18460
dc.language.isoen_USen_US
dc.publisherUniversity of Oregonen_US
dc.relation.ispartofseriesUniversity of Oregon theses, Dept. of Journalism and Communications, Honors College, B.A., 2014;
dc.rightsAll Rights Reserved.en_US
dc.subjectWomen's prisons on TVen_US
dc.subjectPrisonen_US
dc.subjectCultivation theoryen_US
dc.subjectJournalismen_US
dc.subjectPopular cultureen_US
dc.subjectTelevisionen_US
dc.subjectPrison industrial complexen_US
dc.titleConstructed Realities in Women's Prisons: From "Beyond Scared Straight" to "Orange is the New Black"en_US
dc.typeThesis / Dissertationen_US

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