RELEASING THE POWER OF THE POSITIVE FEMININE ARCHETYPE
IN THE PERFORMING ARTS : CASE IN POINT: SHAKESPEARE’S IMMORTAL QUEEN,
CLEOPATRA AS ISIS

dc.contributor.author	Stein, Jaclyn L.
dc.date.accessioned	2005-11-07T15:16:24Z
dc.date.available	2005-11-07T15:16:24Z
dc.date.issued	1990-03
dc.description	90 p. The author has added a preface to the work that was not part of it when it was submitted to the Honors College in 1990.	en
dc.description	A print copy of this title, without the added preface, is available through the UO Libraries under the call number: SCA Archiv Storage Stein 1990
dc.description.abstract	This thesis gives evidence to support the idea that the character of Cleopatra (Queen of Egypt), as constructed by William Shakespeare for use in his play The Tragedy of Antony and Cleopatra, was based on the Egyptian goddess Isis, as Shakespeare had available for his use several key documents which demonstrated that the historical Cleopatra was similar in character to this goddess.	en
dc.format.extent	990392 bytes
dc.format.mimetype	application/pdf
dc.identifier.uri	https://hdl.handle.net/1794/1841
dc.language.iso	en_US	en
dc.publisher	University of Oregon, Clark Honors College	en
dc.title	RELEASING THE POWER OF THE POSITIVE FEMININE ARCHETYPE IN THE PERFORMING ARTS : CASE IN POINT: SHAKESPEARE’S IMMORTAL QUEEN, CLEOPATRA AS ISIS	en
dc.type	Article	en

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