Concurrence: A Twenty-First Century Choreomusical Model
| dc.contributor.author | Dreyer, Lindsay Judith | |
| dc.date.accessioned | 2020-09-29T22:00:39Z | |
| dc.date.available | 2020-09-29T22:00:39Z | |
| dc.date.issued | 2020 | |
| dc.description | 50 pages | |
| dc.description.abstract | In this thesis, I use the research of Elizabeth Sawyer, Inger Damsholt, and Stephanie Jordan to identify the origins of my current thoughts on choreomusical relationships in dance work premiering in the last half-century. From their ideas, I propose “concurrence” as a term capable of describing the relationship between dance and music in these works as two equal elements creating a unique common end. I then analyze works by Damien Jalet, Amanda K. Miller, and Alice Klock, three choreographers who approach choreomusical relationships with this method. Through these analyses, I illustrate how “concurrence” can be applied in multiple ways to describe a number of choreomusical relationships. | en_US |
| dc.identifier.uri | https://hdl.handle.net/1794/25739 | |
| dc.language.iso | en_US | |
| dc.publisher | University of Oregon | |
| dc.subject | Choreomusicology | en_US |
| dc.subject | Music | en_US |
| dc.subject | Choreomusical | en_US |
| dc.subject | Dance | en_US |
| dc.subject | Elizabeth Sawyer | en_US |
| dc.subject | Stephanie Jordan | en_US |
| dc.subject | Inger Damsholt | en_US |
| dc.title | Concurrence: A Twenty-First Century Choreomusical Model | |
| dc.type | Thesis/Dissertation |