Theosophical Methods of Early Abstract Art and Modern Implications

dc.contributor.authorPowell, Eden Hana
dc.date.accessioned2017-10-12T14:36:47Z
dc.date.available2017-10-12T14:36:47Z
dc.date.issued2017
dc.description68 pages. A thesis presented to the Department of Art and the Clark Honors College of the University of Oregon in partial fulfillment of the requirements for degree of Bachelor of Arts, Spring 2017
dc.description.abstractThis thesis explores the link between theosophy, a spiritual philosophy derived from Hinduism popular at the turn of the twentieth century, and the birth of abstract art. Theosophy is well documented to have been an interest of many of the most famous early abstract artists, and the ideas presented by theosophy is clearly represented in these artists’ work and writing. Theosophy has a special emphasis on unseen forces in the universe, and of the action of the human soul. These emphases have also been applied by a number of theosophical writers to the observation of the physical action of the soul, and to explaining artistic values in terms of theosophy. Contemporary science was also commonly applied to theosophy, in terms of the new theories of the time regarding physics and psychology. These topics were a source of inspiration for the artists being discussed, which are Wassily Kandinsky, Hilma af Klint, Kasimir Malevich, and Frantisek Kupka I will also be discussing how my work as a painter over the 2016/2017 school year was informed by my research.en_US
dc.identifier.urihttps://hdl.handle.net/1794/22881
dc.language.isoen_US
dc.publisherUniversity of Oregon
dc.rightsCreative Commons BY-NC-ND 4.0-US
dc.subjectAbstracten_US
dc.subjectOcculten_US
dc.subjectKandinskyen_US
dc.subjectKlinten_US
dc.subjectTheosophyen_US
dc.subjectSpiritualityen_US
dc.titleTheosophical Methods of Early Abstract Art and Modern Implications
dc.typeThesis/Dissertation

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