A Weekend at Lillian Aldwinkle's: An Adaptation of Text, A Discovery of Self

dc.contributor.advisorSchmor, John
dc.contributor.advisorRaisanen, Elizabeth
dc.contributor.authorCraven, Annelise
dc.date.accessioned2023-08-18T15:50:33Z
dc.date.available2023-08-18T15:50:33Z
dc.date.issued2023
dc.description106 pagesen_US
dc.description.abstractThis thesis depicts the journey of adapting Aldous Huxley’s novel Those Barren Leaves into the play A Weekend at Lillian Aldwinkle’s. This thesis provides the necessary history to contextualize what went into this adaptation, which includes research around Victorian and Edwardian theater and Aldous Huxley’s practice of mysticism. Additionally, this thesis touches on adaptation theory and provides insight as to why and how Those Barren Leaves was selected for adaptation. Finally, this thesis includes a draft-by-draft summary of the writing process. Providing insight into personal creative practice, these honest, personal anecdotes reveal not only the process of adapting a play but also a journey of personal growth and discoveryen_US
dc.identifier.orcid0009-0004-2382-1589
dc.identifier.urihttps://hdl.handle.net/1794/28660
dc.language.isoen_US
dc.publisherUniversity of Oregon
dc.rightsCC BY-NC-ND 4.0
dc.subjectAdaptationen_US
dc.subjectTheatre Artsen_US
dc.subjectEdwardian Theatreen_US
dc.subjectHuxleyen_US
dc.subjectPlayen_US
dc.titleA Weekend at Lillian Aldwinkle's: An Adaptation of Text, A Discovery of Selfen_US
dc.typeThesis/Dissertation

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