The Body Speaks: Somatic Eruption in Virginia Woolf’s Orlando and Autotheoretical Reflections

dc.contributor.advisorMarlan, Dawn
dc.contributor.advisorSouthworth, Helen
dc.contributor.advisorShoop, Casey
dc.contributor.authorBotkin, Mariah
dc.date.accessioned2022-07-12T20:13:36Z
dc.date.available2022-07-12T20:13:36Z
dc.date.issued2022
dc.description.abstractThe first half of this thesis aims to understand the presentation of gender ambiguity in Virginia Woolf’s 1928 novel Orlando through two motivated treatments of Orlando’s body––one being story and the other discourse––proposing a metaphor of somatic eruption on both a discourse and story level. This corporeal eruption results from the pressure of various limitations, such as sociocultural norms/gender expectations, the body, and language. The second half of this thesis responds to Woolf’s Orlando through the genre of autotheory. The delineation of my own lived experiences complements the themes explored in Woolf’s writing, modernizing and personalizing the topics of somatic eruption and the limits accompanying women’s lived experiences.en_US
dc.identifier.orcid0000-0002-4781-5990
dc.identifier.urihttps://hdl.handle.net/1794/27268
dc.language.isoen_US
dc.publisherUniversity of Oregon
dc.rightsCC BY-NC-ND 4.0
dc.subjectEnglishen_US
dc.subjectComparative literatureen_US
dc.subjectMemoiren_US
dc.subjectPersonal essayen_US
dc.subjectNon-fictionen_US
dc.titleThe Body Speaks: Somatic Eruption in Virginia Woolf’s Orlando and Autotheoretical Reflections
dc.typeThesis/Dissertation

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