Ways of Seeing: Exploring the Intersection of Representation and Abstraction in a Contemporary Oil Painting Practice

dc.contributor.authorMcKee, Roxanne Rebecca
dc.date.accessioned2014-09-18T18:06:40Z
dc.date.available2014-09-18T18:06:40Z
dc.date.issued2013-11
dc.description47 pages. A thesis presented to the Department of Art and the Clark Honors College of the University of Oregon in partial fulfillment of the requirements for degree of Bachelor of Arts, Fall 2013.en_US
dc.description.abstractThis portfolio thesis seeks to better understand the relationship between abstraction and representation in oil painting. To do so I researched past schools of thought that continue to hold influence, beginning with Greenberg's views on modernism. I also considered select contemporary artists who contend with both aesthetics in their work. Most significantly, I created a collection of oil paintings to explore my research questions and resolve the rift in how I used abstraction and representation in my own work. As art critic Terry Myers discusses, today's artistic climate embraces coalition, which is what I aimed to foster in my own artistic practice through this undertaking. This thesis contributes insight on the creative process as well as a new collection of oil paintings that furthers my personal growth as an artist and addresses a topical question in the field of contemporary painting.en_US
dc.identifier.urihttps://hdl.handle.net/1794/18268
dc.language.isoen_USen_US
dc.publisherUniversity of Oregonen_US
dc.relation.ispartofseriesUniversity of Oregon thesis, Dept. of Art, Honors College, B.A., 2013;
dc.rightsAll Rights Reserved.en_US
dc.subjectAbstractionen_US
dc.subjectRepresentationen_US
dc.subjectFine artsen_US
dc.subjectOil paintingen_US
dc.subjectCreative thesisen_US
dc.subjectMary Heilmannen_US
dc.titleWays of Seeing: Exploring the Intersection of Representation and Abstraction in a Contemporary Oil Painting Practiceen_US
dc.typeThesis / Dissertationen_US

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