Applying the Critical Theory of Media to Theatre Productions: An Exploration in Eugene, OR
| dc.contributor.author | Adamson, Cosette Dielle | |
| dc.date.accessioned | 2019-11-05T16:26:12Z | |
| dc.date.available | 2019-11-05T16:26:12Z | |
| dc.date.issued | 2019 | |
| dc.description | 45 pages | |
| dc.description.abstract | The critical theory of media analyzes mediums such as music and movies in terms of their economic value, and how well they will sell in the current market. Critical theory as well as other theories of spectacle and representation in media suggest that noncontroversial stories and easy entertainment sell the best. However, theatre has rarely been analyzed in such a way, despite also having to sell tickets and compete in a capitalist market. In order to understand the relationships between economic need and the desire to produce socially active theatre, five different theatre organizations throughout the Eugene community were interviewed. These interviews demonstrated some tension in choosing shows that will sell well versus shows that are perhaps more daring, as well as worries about appropriate representation. Less tension than anticipated, however, was found surrounding sponsorships and other funding. Through this research, theatre organizations and attendees might be more aware of these choices and more open to producing theatre that is more controversial or less well-known. | en_US |
| dc.identifier.uri | https://hdl.handle.net/1794/24986 | |
| dc.language.iso | en_US | |
| dc.publisher | University of Oregon | |
| dc.rights | Creative Commons BY-NC-ND 4.0-US | |
| dc.subject | Sociology | en_US |
| dc.subject | Media Theory | en_US |
| dc.subject | Sociology | en_US |
| dc.subject | Critical Theory | en_US |
| dc.subject | Community Theatre | en_US |
| dc.subject | Minority Representation | en_US |
| dc.title | Applying the Critical Theory of Media to Theatre Productions: An Exploration in Eugene, OR | |
| dc.type | Thesis/Dissertation |
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