dc.contributor.author |
Frisk, Henrik |
|
dc.contributor.author |
Weijland, Bart |
|
dc.contributor.author |
Frisk, Henrik |
|
dc.date.accessioned |
2018-12-11T23:29:40Z |
|
dc.date.available |
2018-12-11T23:29:40Z |
|
dc.date.issued |
2009 |
|
dc.identifier.citation |
Cobussen, Marcel, Henrik Frisk, & Bart Weijland. "The Field of Musical Improvisation." Konturen [Online], 2.1 (2009): 168-185. Web. 11 Dec. 2018 |
en_US |
dc.identifier.issn |
1947-3796 |
|
dc.identifier.uri |
http://hdl.handle.net/1794/23963 |
|
dc.description |
18 pages |
en_US |
dc.description.abstract |
In this essay the first initiatives are presented to come to a new theoretical approach of musical improvisation. The main idea is to regard musical improvisation as a nonlinear dynamical system in which various (f)actors interact and connect in complex ways. In other words, the Field of Musical Improvisation (FMI) has no stable or strict identity. |
en_US |
dc.language.iso |
en |
en_US |
dc.publisher |
University of Oregon |
en_US |
dc.rights |
Creative Commons BY-NC-ND 4.0-US |
en_US |
dc.title |
The Field of Musical Improvisation |
en_US |
dc.type |
Article |
en_US |
dc.identifier.doi |
10.5399/uo/konturen.2.1.1356 |
|