dc.contributor.author |
Boos, Sonja |
|
dc.date.accessioned |
2023-07-25T23:46:32Z |
|
dc.date.available |
2023-07-25T23:46:32Z |
|
dc.date.issued |
2020 |
|
dc.identifier.citation |
Boos, S. (2022). Feminism, Theory, Film: Critical Intersections in the Practice and Theorization of Experimental Filmmaking since the 1970s. Konturen, 12, 1–12. https://doi.org/10.5399/uo/konturen.12.0.4912 |
en_US |
dc.identifier.uri |
https://scholarsbank.uoregon.edu/xmlui/handle/1794/28571 |
|
dc.description |
12 pages |
en_US |
dc.description.abstract |
Introduction to Volume 12 of Konturen. |
en_US |
dc.language.iso |
en |
en_US |
dc.publisher |
University of Oregon |
en_US |
dc.rights |
Creative Commons BY-NC-ND 4.0-US |
en_US |
dc.subject |
intro |
en_US |
dc.title |
Feminism, Theory, Film: Critical Intersections in the Practice and Theorization of Experimental Filmmaking since the 1970s (Introduction) |
en_US |
dc.type |
Article |
en_US |
dc.identifier.doi |
https://doi.org/10.5399/uo/konturen.12.0.4912 |
|