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dc.contributor.advisor
dc.contributor.authorUchida, Rika
dc.date.accessioned2018-01-19T19:50:28Z
dc.date.available2018-01-19T19:50:28Z
dc.date.issued2004-03
dc.identifier.urihttp://hdl.handle.net/1794/23020
dc.description230 pagesen_US
dc.description.abstractClaude Debussy’s Pour les Sonorités opposées from Douze Études presents the composer’s new language and experimentations for the keyboard. This lecture- document presents the analysis of Pour les Sonorités opposées, a comparison of interpretations by three pianists, Walter Gieseking, Maurizio Pollini and Mitsuko Uchida, and my own interpretation. The document explores how analysis contributes to a better interpretation.en_US
dc.language.isoenen_US
dc.publisherUniversity of Oregonen_US
dc.rightsCreative Commons BY-NC-ND 4.0-USen_US
dc.titleDebussy’s Pour les Sonorités opposées: Its Analysis and Interpretationsen_US
dc.typeTerminal Projecten_US


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