Browsing Music and Dance Theses and Dissertations by Issue Date

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  • Lanctot, Heather (University of Oregon, 2012)
    The Birthday of the Infanta, a ballet that was created by John Alden Carpenter, Adolph Bolm, and Robert Edmond Jones, was performed at the Auditorium Theatre in Chicago on December 23, 1919 and the Lexington Theatre in New ...
  • Conyers, Liana (University of Oregon, 2012)
    This artistic inquiry was conducted to explore specific processes in dance making and expand upon how I use my own history in the choreographic process. For my Movement Project Shedding Skin: Expose, Educate, and Evolve, ...
  • Lee, SunHwa (University of Oregon, 2012)
    This thesis examines Stravinsky’s aesthetics of objectivism, as described in his own book and displayed in three different genres from his neoclassical period: Symphonies of Wind Instruments (1920), Perséphone (1933), ...
  • Antoinette, Alicia (University of Oregon, 2013-07-11)
    The evidence found through comparing and contrasting staging manuals strongly suggests that Massenet might have been involved in the staging of his operas. Several important differences, which include the implications of ...
  • Lovell, Jeffrey (University of Oregon, 2013-07-11)
    In this dissertation, I examine Stevie Wonder's compositional style from his celebrated "classic period," (1972-1976) focusing specifically on the concentrated two-year time span from 1972-1974 marked by his unparalleled ...
  • Parker, Donald (University of Oregon, 2013-07-11)
    The use of imagery and movement to affect vocal tone has long been a part of choral pedagogy. These often used, yet little explored tools, are employed by choral directors on all levels. The present study sought to ...
  • Hurley, Therese (University of Oregon, 2013-07-11)
    The purpose of this study is to examine the presentation of Joan of Arc's life in two lyric works, Jules Barbier and Charles Gounod's Jeanne d'Arc (1873) and Auguste Mermet's Jeanne d'Arc (1876), that premiered in Paris ...
  • Voglewede, Matthew (University of Oregon, 2013-10-03)
    The New Grove Dictionary of Jazz defines “double time” as “the apparent doubling of the tempo […] achieved by halving the prevailing note value.” A more precise term for this concept is “double-time feel.” The question of ...
  • Rodgers, Lindsey (University of Oregon, 2013-10-03)
    Heinrich Scheidemann and Jacob Praetorius (ii), young organ students from Hamburg, traveled to Amsterdam around the turn of the seventeenth century in order to study with the Dutch organist Jan Pieterszoon Sweelinck. While ...
  • Hutchinson, Simon (University of Oregon, 2013-10-03)
    "A Lawn in the Sky" is a musical drama in two acts on a libretto by Katherine Hollander. The piece is based on the true story of Lieutenant Onoda Hiroo, a Japanese "straggler" who refused to believe that Japan had surrendered ...
  • Gans-Morse, Ethan (University of Oregon, 2013-10-03)
    The Canticle of the Black Madonna is an original opera-oratorio in two acts, comprising 27 pieces for six operatic soloists, mixed chorus, and chamber orchestra. It is based on an original libretto by Tiziana DellaRovere ...
  • Chang, Hau-Wei (University of Oregon, 2013-10-03)
    Inferno, Volume I of Dante Alighieri's timeless magnum opus, The Divine Comedy, persists to modern times as a work of immense imagination and philosophical poignancy. Dante, as the Pilgrim, spins in verse a massive tale ...
  • LaFollett, Alexander (University of Oregon, 2013-10-03)
    The Elements: Period 2, for Large Orchestra is a 44-minute-long cycle of eight orchestral "tone images", each one based upon an individual element from the second period of the Periodic Table of Elements: Lithium, Beryllium, ...
  • Secor, Tyler (University of Oregon, 2013-10-10)
    This thesis seeks to explore the voice leading parsimony, bass motion, and chromatic extensions present in Alexander Scriabin's Prometheus. Voice leading will be explored using Neo-Riemannian type transformations followed ...
  • Eisenband, David (University of Oregon, 2014-06-17)
    Amergin and Cessair is a musical setting of the text "Amergin and Cessair: A Battle of Poetic Incantation" by Michael Meade and Erica Helm Meade. The music takes the form of a dramatic "duet," scored for double choir and ...
  • Price, Wesley (University of Oregon, 2014-06-17)
    This composition is a symphonic poem for full orchestra roughly eighteen minutes in length. The work takes both its title and inspiration from George Orwell's novel 1984. Each individual section of music reflects on a ...
  • Spencer, Helena (University of Oregon, 2014-06-17)
    Much scholarship on French grand opera has understandably focused on the monumentality of the genre--its sweeping historical panoramas, public spectacles, and large onstage chorus. This focus is reinforced, for example, ...
  • Wong, Kei Hong (University of Oregon, 2014-09-29)
    This thirteen-minute concerto explores the concept of the "third-stream" style, a genre prevalent from the early twentieth century onward that explores the fusion of classical and the popular idioms. The piano writing, ...
  • Lee, Elizabeth (University of Oregon, 2014-09-29)
    This dissertation focuses upon patterns and concepts of containment within selected Lieder from Hugo Wolf's Mörike collection. More specifically, I focus upon melody as a way of understanding how these found patterns and ...
  • Mariani, Jacob (University of Oregon, 2014-09-29)
    This thesis examines evidence of the earliest viols in Italy. In light of recent changes in perspective on the origins of the Italian viola da gamba, a new approach to building historical models of the instrument is ...

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