The intersection of the permanent and impermanent, the disposable and the pleasurable opens up a space for my work to live in. I seek to create a tension between the familiarity of objects, materiality and fragmentation. ...

In the cold-lit stale rooms of IDEAL LIVING, her food tray is brought up as close as it could be to her chair, and my grandpa sits behind it. He picks up the spoon and scoops up mush— brown mush, with a little bit of green ...

In the first century, Romans gathered in open-air marketplaces known now by the word bazaar, a variant of the Persian word bazar. As hubs for converging trade routes, these marketplaces served not only as sites for commerce, ...

This text is an accompaniment towards a terminal creative project, RICE, a queer yellow fantasy, and describes the sociopolitical and cultural histories that my artistic practice is engaged in. This paper traces the three ...

My work pretends to respond to the weight of the world like people do: forms bend, ostensibly pulled down by the weight of a tassel, canvas gets heavy and starts to sag, or objects buckle and fold, unable to stand upright ...

I create installations that use humor and the visual language of the domestic space to disarm and analyze emotional discomfort in order to create a more whole sense of self. The work invites those who choose to participate ...

To sculpt is to cloak empty space in material. Like a balloon containing air, my sculptures give shape to empty spaces, while simultaneously concealing them. The experience of making a sculpture is like hiking up a mountain; ...