Now showing items 1-20 of 24

    • $500 OBO 

      Joe, Moore (2017)
    • CHAFF 

      Oslovar, Andrew (University of Oregon, 2015)
      This document is the continuation of a process of making. It is not a description of that process, but exists actively within it. My current and continuing practice involves an investigation and exploration of multiplicity ...
    • Daughters of the Western Trace 

      Vala, Jessie Rose (University of Oregon, 2015)
      My work involves ongoing research into historical and mythological narratives and ecological events that shape and change the world in unforeseeable ways. This unfolding exploration bleeds into my making, often in ...
    • Edge Condition 

      Nachtigall, Stephen (2017-02-08)
      Lush green vegetation, cascading waterfalls and waving golden wheat 5ields; UV printed on vinyl adhesive, stuck to an electrical utility box, vending machine or underground subway advertisement. These cultural moments ...
    • The Embodied Confluence 

      Magratten, Anne (University of Oregon, 2015)
      The following report maps my work in relationship to the subject and experience of landscape and its connection to painting. It begins with my ruminations on landscape historically and the undiscussed yet problematic ...
    • Esoteric Concussions 

      Widomski, Rachel (2016)
      Observation into daily life is foremost in Rachel Widomski’s practice. She seeks out and embraces the interruptions of time, by capturing and exhibiting often overlooked moments. Her work provides a suspension of experience, ...
    • (Heart) <3 

      Lopez, Daniel P. (2016)
      The weirdest part about being done with this report is that I can’t just tell people “Sorry, I’m working on my thesis right now.” It’s good to have it completed, but now I worry that I won’t have any good excuses for being ...
    • How to Kill Your Guardian of Grammar 

      Christy, Matt (University of Oregon, 2015)
      When I went to church with my family my mother would sit me down on the floor and I could look underneath the long row of pews and see all the peoples legs. My friends and I had different rules down there. We could draw ...
    • I Carry You with Me: On Representation and the Bodily Event 

      Couch, Chelsea (2017)
      This paper explores the complexities of presenting an image of the body as well as a representation of the bodily event. Central to this inquiry is an examination of the subject/object relationship (the perception of self ...
    • infinite nowhere: on texts, trails, and speaking to place 

      Linn, Ronald (2017)
      I am of the practice of trying, often failing. My practice attempts to navigate the territories between dichotomies of text/image, image/object, meditation and direct experience, interior and exterior space. I am ...
    • Internal Structures 

      Heinitz, Krista (2016)
      The work in my thesis exhibition acts as an installation of multiple sculptural works that engage each other in conversation through repetition of specific formal and conceptual elements. The concept of repetition is ...
    • Ise 

      Joshlin, Steven (2016)
      A few years ago I had a dream that I was riding a school bus. As it carried us across the countryside, we came upon an old bridge. As the bus went to cross, it went out of control and broke through the tenuous wooden ...
    • It Starts with Gravity and Momentum 

      Campbell, Andrew Douglas (2017-06-28)
      Outlined here is a trajectory of research into the relationship between identity and narrative, with a particular focus on how that relationship subverts the boundary between mainstream and margin. Drawing on a Lacanian ...
    • Late Diamonds 

      Siscoe, Brandon (University of Oregon, 2015)
      The work in my thesis exhibition exists as a sculpture of fragments. This work is a fluid definition of sculpture that understands itself not as a self-enclosed complete form, but as a flat ontology of object relationships ...
    • Machine Based Artistic Production (MBAP) 

      Krajkowski, Alex (University of Oregon, 2015)
      My practice involves surrendering control to a variety of generative processes as a way to create an image. By exposing gelatin silver paper to obscure chemical processes, or using simple machines to create photomechanical ...
    • Nutritional Groove 

      Morgan, Mary (2017)
    • Sound now, seek and you will find 

      Asahina, Lee (2017-06-22)
      My terminal project consists of paintings composed of flowers, hands, and scribbles along with various other shapes and marks that mine the personal, the cultural, and the historical. I make paintings in the spirit of ...
    • Talking Back 

      Mikenis, Sarah (2016)
      My work pretends to respond to the weight of the world like people do: forms bend, ostensibly pulled down by the weight of a tassel, canvas gets heavy and starts to sag, or objects buckle and fold, unable to stand upright ...
    • To Cloak Empty Space 

      Hampton, Mandy (2017)
      To sculpt is to cloak empty space in material. Like a balloon containing air, my sculptures give shape to empty spaces, while simultaneously concealing them. The experience of making a sculpture is like hiking up a mountain; ...