A description of the intellectual process and cultural influences of 11 artworks produced at the University of Oregon in 2019.

The work in my thesis exhibition acts as an installation of multiple sculptural works that engage each other in conversation through repetition of specific formal and conceptual elements. The concept of repetition is ...

Outlined here is a trajectory of research into the relationship between identity and narrative, with a particular focus on how that relationship subverts the boundary between mainstream and margin. Drawing on a Lacanian ...

The work in my thesis exhibition exists as a sculpture of fragments. This work is a fluid definition of sculpture that understands itself not as a self-enclosed complete form, but as a flat ontology of object relationships ...

My practice involves surrendering control to a variety of generative processes as a way to create an image. By exposing gelatin silver paper to obscure chemical processes, or using simple machines to create photomechanical ...

Examining subjectivity and its association with a relocated body in diasporic circumstances has become the core concept of my work as an artist. I attempt to justify my own Being and comprehend the reflection of it through ...

In the first century, Romans gathered in open-air marketplaces known now by the word bazaar, a variant of the Persian word bazar. As hubs for converging trade routes, these marketplaces served not only as sites for commerce, ...

My terminal project consists of paintings composed of flowers, hands, and scribbles along with various other shapes and marks that mine the personal, the cultural, and the historical. I make paintings in the spirit of ...

My terminal creative project is concerned with spectatorship, freedom and control, the technologies of the grid and virtual reality, theatricality and performance. I investigate the tropes of the Western and the figure of ...