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  • Mikenis, Sarah (2016)
    My work pretends to respond to the weight of the world like people do: forms bend, ostensibly pulled down by the weight of a tassel, canvas gets heavy and starts to sag, or objects buckle and fold, unable to stand upright ...
  • Hampton, Mandy; Keathley, Mandy (2017)
    To sculpt is to cloak empty space in material. Like a balloon containing air, my sculptures give shape to empty spaces, while simultaneously concealing them. The experience of making a sculpture is like hiking up a mountain; ...
  • Tolles, John (University of Oregon, 2015)
  • Two Snake 
    Claybrook, Talon (2019)
  • Wurts, Alexander (University of Oregon, 2018)
    For me, trying to reconcile the relationship between a digital image and the physical art-object is of specific importance and drives a lot of the questions I have about contemporary art practice. How do you negotiate ...
  • Anya, Dikareva (2016)
    Utilizing a feedback loop process which involves wearables, print and video, I condition spaces for shifting assumptions about sense and nonsense, creating portals of play, transformation, and reinvention of identity. ...
  • Miller, Daniel (2019)
  • Chen, Fei (University of Oregon, 2015)
    As a witness to the last two decades of China’s accelerating development and societal upheaval, I am specifically interested in the nation’s changes and social phenomena. I doubt myself to be a true Chinese person because ...
  • Wallace, Meril (2017-06-22)
    Here is where I first learned to love. To love the place that I am from. To love the harshness of the landscape and hot afternoon winds that rush between canyon walls. Where did this love come from? From time. Time spent ...

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