My terminal project consists of paintings composed of flowers, hands, and scribbles along with various other shapes and marks that mine the personal, the cultural, and the historical. I make paintings in the spirit of ...

To sculpt is to cloak empty space in material. Like a balloon containing air, my sculptures give shape to empty spaces, while simultaneously concealing them. The experience of making a sculpture is like hiking up a mountain; ...

I am of the practice of trying, often failing. My practice attempts to navigate the territories between dichotomies of text/image, image/object, meditation and direct experience, interior and exterior space. I am ...

A few years ago I had a dream that I was riding a school bus. As it carried us across the countryside, we came upon an old bridge. As the bus went to cross, it went out of control and broke through the tenuous wooden ...

Observation into daily life is foremost in Rachel Widomski’s practice. She seeks out and embraces the interruptions of time, by capturing and exhibiting often overlooked moments. Her work provides a suspension of experience, ...

The weirdest part about being done with this report is that I can’t just tell people “Sorry, I’m working on my thesis right now.” It’s good to have it completed, but now I worry that I won’t have any good excuses for being ...

My practice involves surrendering control to a variety of generative processes as a way to create an image. By exposing gelatin silver paper to obscure chemical processes, or using simple machines to create photomechanical ...

As a witness to the last two decades of China’s accelerating development and societal upheaval, I am specifically interested in the nation’s changes and social phenomena. I doubt myself to be a true Chinese person because ...

This document is the continuation of a process of making. It is not a description of that process, but exists actively within it. My current and continuing practice involves an investigation and exploration of multiplicity ...